Spec sheet: one line across twenty-nine tools
Each spec-sheet page takes one line, resolution say, and gives every tool's figure in one table, with the vendor's wording. The pages under it hold one tool's figure on one line in more detail. As of 2026-09-25.
Use it when the question is about the target rather than the tool: which vendors print 24 fps, which print HDR, which print a 21:9 frame.
The six lines follow the order of a delivery spec: picture size and rate, then colour, then frame shape and length, then marks. Each page gives every vendor's figure in one table, with the reading beside it and the source on the vendor's deliverable page.
A per-tool page exists only where a vendor has printed enough on the line to need one.
1Pages on this sheet
- Aspect ratios — The frame-shape line records the ratios a vendor offers and, where it says so, the default. Two include 21:9, the cinema-wide frame some streaming dramas use.
- Frame rate — Frame rate is the least printed figure after HDR. Seven vendors state anything: three give a single fixed rate, 24 or 30, one lists several, and three describe raising the rate after generation by interpolation or conversion.
- HDR and bit depth — HDR is the sparsest line on the sheet.
- Longest single output — Length means two things on this sheet. For a model maker it is the longest single clip one generation returns; for a production app it is the longest finished video its editor or project exports.
- Maximum resolution — The resolution line records the highest output resolution a vendor prints, with the model, plan or step it belongs to. Every tool on the sheet prints one, because printing one is part of the rule for being on it.
- Watermark on output — The marks line records what the vendor says is put on the downloaded file, in its own words.
2How one pipeline outputs it
For a delivery question like “Spec sheet”, SceneMixer states the following about what it produces:
SceneMixer separates the script language from the production language: the output (episode outlines, storyboards, on-screen text) follows your interface language, and target-region localization adapts character names, casting, and scenery for Western, East Asian, Southeast Asian, or Latin American audiences.
SceneMixer, Turn a Novel into a Video Series with AI — “Can I turn a Chinese web novel into an English-language drama?” (read 2026-10-13)
The new name is written everywhere the old one stood: storyboard lines, episode titles and summaries, the scene lists and already-parsed dialogue.
SceneMixer, Reusing a Character, Scene or Voice Across Projects — “What happens to the old name in the storyboard?” (read 2026-10-13)